Theme
Jacob Obrecht
Guest Editor: Fabrice Fitch

Introduction by Fabrice Fitch

M. Jennifer Bloxam, Text and Context: Obrecht's Missa de Sancto Donatiano in Its Social and Ritual Landscape
Philip Weller, Sighting the Obrechtian Motet
Warwick Edwards, Word Setting in a Perfect Musical World: The Case of Obrecht's Motets
Tim S. Pack, Obrecht's Approach to Five-Voice Composition as an Extension of Regis' Axial Tenor Model
Rob C. Wegman, Obrecht and Erasmus

Free papers

Ulrike Hascher-Burger, Zwischen Liturgie und Magie: Apotropäischer Zaubergesang in niedersächsischen Frauenklostern im späten Mittelalter

Research and Performance Practice Forum

Edward Wickham, Realization and Recreation: Texting Issues in Early Renaissance Polyphony

Contributors to this Issue

Plates