A Renaissance Baron and his Possessions
Paolo Giordano I Orsini, Duke of Bracciano (1541-1585)
XXVIII+336 p., 9 b/w ill. + 6 colour ill., 4 b/w line art, 156 x 234 mm, 2012
Languages: English, Italian
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A ground-breaking insight into the life of a Renaissance court in Rome.
Table of Contents
This book explores the subject of baronial identity and material culture in sixteenth-century Rome by focusing on the Duke of Bracciano, Paolo Giordano I Orsini, his court, and his possessions. It is an investigation into the way in which a Roman baron constructed and disseminated his sense of self through the objects he owned, the events he organized, and the relationships he forged by means of material goods and works of art. The analysis of the use of artistic and luxury goods in the form of pawns, rentals, loans, gifts, and thefts shows how aristocratic patrimonies were subject to continual mobility and served a multiplicity of goals. Supported by a wealth of documentation, mostly unpublished, including inventories, correspondence and account books, this study provides a new dynamic insight into a Renaissance aristocratic court.
Abbreviations for Archival References
Part I. The Creation of a Renaissance Baron
Chapter 1. Paolo Giordano Orsini in Context
Chapter 2. Performing Identities
Part II. Possessions
Chapter 3. Displaying Status
Chapter 4. The Mechanisms of Consumption at Paolo Giordano’s Court
Part III. Mobility and Value
Chapter 5. Pawns and Credit
Chapter 6. The Rental Market and Loans
Chapter 7. Gifts and Thefts
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"(...) this new study fills a considerable gap in our knowledge about this descendent of one of the oldest and most important baronial families in the Papal States." (Andrea Gáldy, in: Sehepunkte, 13 (2013), Nr. 10, [15.10.2013])
"Barbara Furlotti's re-imaging of Paolo Giordano Corsini as an aristocrat who devoted much care and attention to the things he owned is an important book for scholars interested in material culture, collecting practices, and the identity and role of Roman barons in the latter half of the sixteenth century." (Whitney Leeson, in: Sixteenth Century Journal, XLV/3, 2014, p. 745-747)