Table of Contents:
Introduction - Malcolm Jones, Preface - Elaine
C. Block, Editorial - Hugh Harrison, Technical Aspects
of the Misericord
Profane Imagery on Misericords and Lead
Badges
Charles Tracy, Misericords as an Interpretative Tool in the
Study of Choir Stalls - Elaine C. Block, Misericords and
the World of Bruegel - Christa Grössinger,
Tutivillus - M. A. Hall, Where the Abbot Carries Dice:
Gaming-Board Misericords in Context - S. J. F. S. Philips,
Flying Low Down Under: Representations of Winged Mammals, Fowl,
and Birds on English Misericords - Terry Pearson, The
Mermaid in the Church - Jennifer Fellows, Romance among
the Choir Stalls: Middle English Romance Motifs on English
Misericords - Paul Hardwick, Misinterpretations in the
Margins - Stefanie Stockhorst, Passionate Pilgrims:
Secular Lead Badges as Precursors of Emblemata Amatoria
Profane Imagery in other Marginal Media
Naomi Reed Kline, Obscenity as the Woodworker's Last
Laugh - Diane G. Scillia, Looking for Fun in All the Wrong
Places: Humour and Comedy in Moralizing Prints - Walter S.
Gibson, A Sacred Text Profaned: Seven Women Fight for the
Breeches - Sylvie Bethmont-Gallerand, Iconographie des
charniers, des ossuaires et des aîtres à travers la
France médiévale - Silke Meyer, An
Iconography of Shame: German Defamatory Pictures of the Early
Modern Era - Mark P. McDonald, The Lost Print Collection
of Ferdinand Columbus (1488-1539)
The Marginal Arts in the Mainstream
Brian J. Levy, Screening in the Middle Ages: Costumes and
Objects as Medieval Signifiers in The Adventures of Robin Hood
(1938) - Frédéric Billiet, Diabolus in
musica dans les stalles médiévales:
significations du désordre musical - Malcolm Jones,
Review of Averting Demons by Ruth Mellinkoff -
Sylvie Bethmont-Gallerand and Elaine C. Block, Resumés
in French and English
Appendix / List of photographs by site
The Authors