The Flemish Primitives III
Hiëronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter, Goossen van der Weyden
392 p., 223 b/w ill. + 140 colour ill., ills., 210 x 297 mm, 2002
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The third volume comprises
investigations on seventeen paintings by a final group of preeminent,
identified artists from the period of transition at the end of the
fifteenth and the beginning of the sixteenth century, to which the
authors adjust various attributions and interpretations.
The third volume includes a final group
of preeminent, identified artists from the period of transition at the
end of the 15th and the beginning of the 16th century. Artistic
production at this time was still rooted in late medieval thought, yet
more and more seized with new renaissance developments, and at a
permanent state of ferment with constantly changing needs of society.
The catalogue deals with correspondingly complex issues of
interpretation through the works of Hieronymus Bosch, Albrecht Bouts,
Gerard David, Colijn de Coter and Goossen van der Weyden. It comprises
a technical, stylistic and iconographical investigation of seventeen
paintings on the basis of a scientific research method, which has been
fully established over the years. The authors have been able to adjust
various attributions and interpretations. At the same time most
valuable discoveries have been made with regard to the provenance of
some work belonging to the Albrecht Bouts and Colijn de Coter
This publication is also distributed by: ISD, Marston
"Für die weitere
Forschung zu den betreffenden Künstlern oder den fraglichen Werken wird
der Band eine unverzichtbare Basis darstellen." (S. Kemperdick in
Sehepunkte, 3 (2003), nr. 1, 15.01.2003)