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Harvey Miller
Tributes (HMTRIB 9)

Tributes to Adelaide Bennett Hagens
Manuscripts, Iconography, and the Late Medieval Viewer

P. A. Patton, J. K. Golden (eds.)
approx. VI+376 p., 15 b/w ill. + 224 colour ill., 220 x 280 mm, 2017
ISBN: 978-1-909400-79-5
Languages: English, French
The publication is in production.The publication is in production. (10/2017)
Retail price: EUR 125,00 excl. tax
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Honoring the fifty-year career of Adelaide Bennett Hagens at the Index of Christian Art, *Manuscripts, Iconography, and the Late Medieval Viewer* gathers essays by leading specialists in the field of Gothic manuscripts and related art forms. Centered on the reciprocity between medieval pictures and their viewers, the collection sheds new light on what the seminal art historian Michael Camille memorably described as the "image explosion" of the later Middle Ages. Contributors include François Avril, Paul Binski, Brendan Cassidy, Laura Cochrane, Christiopher De Hamel, Lynda Dennison, Libby Escobedo, Paula Gerson, Judith Golden, Gerald Guest, James Marrow, Michael Michael, Nigel Morgan, Judith Oliver, Beatrice Radden-Keefe, Alexa Sand, Lucy Freeman Sandler, Jessica Savage, Elizabeth Sears, Alison Stones, Leslie Bussis Tait, and William Voelkle.


Pamela A. Patton is Director of the Index of Medieval Art and a specialist in the visual culture of later medieval Iberia. Judith K. Golden is an Art History Specialist at the Index of Medieval Art, with a specialization in French and English manuscripts of the thirteenth and fourteenth centuries.


Table of Contents

    Judith K. Golden, Adelaide Bennett Hagens: Reminiscences and Bibliography, Elizabeth Sears, Under Miss Green’s Watch: Three Decades of Art History at the Index of Christian Art, Alexa Sand, Virtuous Bodies: La Somme le roi of Jeanne of Guînes and Eu, 1311, Gerald Guest, The Fall of the Rebel Angels: Penitence and Devotion in the Très Riches Heures, Elizabeth Valdez del Álamo, The Marriage of Castile and England as seen in the Bible of Burgos, Paul Binski, Sir Oliver Ingham and the Ascetic Imagination, Libby Escobedo, Playing to the Audience: the Fastolf Master and the Hours of Sir William Porter, Judith Oliver, Christian Calendars and Secular Labors of the Months: A Reassessment, Paula Gerson, Margins for Eros, Revisited, Nigel Morgan, The Holy Face as Icon and Vision in Fourteenth-Century England, Laura E. Cochrane, The Iconography of Time and Eternity in the Tiberius Psalter, William B. Voelkle, The Story of the Levite (Judges 19:1-29), Paris, and the Morgan Library’s Crusader Bible (MS M.638), Brendan Cassidy, Dante’s Iconography of the Annunciation in Paradiso XXXII, François Avril, ‘Les cerises de la saint Jean’, un curieux motif marginal figuré dan un bréviare parisien à destination royale, Beatrice Radden Keefe, Reading While Riding in Miniatures by the Master of Antoine Rolin, Jessica L. Savage, Before the Parliament of Heaven: Visualizing the Reconciled Virtues of Psalm 84:11, M.A. Michael, A Re-evaluation of the Wall Paintings on the North Nave Piers of St. Albans Abbey: An Exercise, Lucy Freeman Sandler, The Howard Psalter in the British Library and the Hours of the Passion in Fourteenth-Century English Manuscripts, Lynda Dennison, Who Commissioned the Carmelite Missal, London, British Library MS Additional 29704-5?, Leslie B. Tait, In Pursuit of a Lost Cloister Capital from Saint-Pons-de-Thomières, Alison Stones, Tobit: a Recently Rediscovered Cutting from the Brussels-Rylands Bible, Christopher de Hamel and Stephen Cooper, The Hungerford Hours

Interest Classification:
Fine Arts & Performing Arts
Art History (general)
Medieval art history

This publication is also distributed by: ISD, Marston
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