The Arenberg lineage belongs to the high nobility, whose estates, interests and familial connections have traditionally extended across borders. Their princely and ducal standing was equally reflected in the highly superior quality of their art collection, as they commissioned works from contemporaries such as Rubens, Van Dyck, and later Watteau.

Cet ouvrage se propose de réfléchir à la construction historique de la condition de victime, en relation avec les événements traumatiques dans l'Europe médiévale et moderne.

The age of Giotto, Dante, and Boccaccio, the fourteenth century in Italy, known as the trecento, was a pivotal moment in art history and in European culture. The studies in this volume present new approaches to art in this important but often neglected period of the early Renaissance.