The age of Giotto, Dante, and Boccaccio, the fourteenth century in Italy, known as the trecento, was a pivotal moment in art history and in European culture. The studies in this volume present new approaches to art in this important but often neglected period of the early Renaissance.

Explores a variety of perspectives on women’s participation and experiences in credit markets in early modern Europe.

Francesco Mochi’s radical and experimental oeuvre has been given refreshing and illuminating insights by a leading scholar in the field. The illustrations are plentiful and of high quality, and the bibliographical apparatus is comprehensive and clearly
set out. This monograph is thus an exhaustive and scholarly presentation of Mochi’s sculpture, and must be seen as an essential reference tool for students of his work, as well as giving an admirable and lively picture of sculpture in Tuscany and Rome in thebaroque period.

Marjorie Trusted in: The Art Newspaper, September 2018