This book takes the extraordinary art of the Tuscan sculptor Francesco Mochi (1580-1654) as the entry point for an inquiry into the historical and cultural forces reshaping sculpture at the beginning of the seventeenth century.

Rédigée en provençal avec quelques passages en latin, La chronique de Bertran Boysset est transmise en trois versions, dont deux autographes. On édite ici la deuxième version (Paris, BnF 5728), accompagnée d’une traduction française et d'une introduction.

Middle Islamic Jarash considers the understudied Ayyubid-Mamluk period in the light of continuity and change with its point of departure in one of the most important sites in this area of the Middle East.