This collection of articles traces the themes of family and of transmission in the early modern Middle East from an interdisciplinary and comparative perspective.

The Ghent Altarpiece by Hubert and Jan van Eyck has always attracted both admiration and curiosity. Following the treatment of the closed polyptych, this book now turns to the paintings of the lower register of the open altarpiece, which includes the famous Adoration of the Lamb

This is Volume I of the three-volume catalogue raisonné of all drawings considered by the authors to be by Rubens. It covers the years 1590–1608, Volumes II and III dealing, respectively, with the periods 1609–20 and 1621–40.