A new set of two volumes as part of the critical edition and annotated translation of Carlo Cesare Malvasia's Felsina pittrice: Lives of the Bolognese Painters (Bologna, 1678).

Featuring the work of five prominent scholars, this collection analyzes the paintings of Diego Velázquez within the cultural, intellectual, and political frameworks of seventeenth-century Spain.

This book explores the theme of religious coexistence (and the problems it poses) from a resolutely comparative perspective.