Resulting from the international conference "The Italian Maiolica in the Renaissance. Studies and Research" (Assisi, 9-11 September 2016), this volume brings together contributions by experts from various national and international institutions, and in particular from museums housing dedicated collections of Renaissance ceramics.

Borman was a virtuoso, a master but above all an innovator, who influenced many other sculptors.

Offers a fresh cross-cultural approach that explores connections between preaching and transcultural relations in Iberia, the Mediterranean, and northern Europe.