An edited volume reflecting upon the transnational mobility of sculptors and its implications for the artists and their art during the long nineteenth century.

This book re-examines the career of one socially and intellectually ambitious artist, Andrea Mantegna (1431-1506) and his intellectual network, to re-open questions of the locations of humanism, the notion of “humanist art,” or painting as a form of discourse that far from being ancillary to poetry, history, or rhetoric, served as a model for all three.

Edition and study of a Latin translation of the Talmud from the thirteenth century.