Ouvrage collectif et interdisciplinaire interrogeant sous divers angles le rapport de Rubens et son œuvre à l’art musical.

Felipe Pereda reconstructs the history of religious art in Spain between two crucial dates in the “politics of the image” enforced by the “Reyes Católicos”: 1478 and 1501.

This volume tackles aspects of the overlooked but crucial pottery of the Byzantine and Umayyad periods stemming from Gerasa, modern Jerash, in northern Jordan.