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This book stresses the significance of the sensory, dramatic enactment that moved the soul, body, heart and mind of the medieval faithful and proposes to revisit and pave the way ahead for research in religious material culture in medieval Denmark.
Richard of Saint-Victor’s On The Trinity from the 12th century is a main source for our understanding of a leading intellectual tradition of the Western world in which love was regarded the highest and the best in the human world and therefore also was the reality in which the highest and the best, God, was to be seen.