Middle Islamic Jarash considers the understudied Ayyubid-Mamluk period in the light of continuity and change with its point of departure in one of the most important sites in this area of the Middle East.

Brings together studies by scholars from a range of academic disciplines to assess the central position of Virgil in the intellectual, artistic, and political lives of the Renaissance.

This two-volume catalogue of more than 400 drawings includes depictions of portable Roman, Etruscan and Greek antiquities such as vases, lamps, mirrors, tripods, bells, armour, weights, measures, musical instruments, mirrors, brooches and jewellery, as well as a range of Egyptian and Egyptianising antiquities (from sarcophagi and mummy masks to cult statues and reliefs) and designs for Renaissance and seventeenth-century vases, candelabra, princely gold and silver tableware.