The 21st century is a new era for interfaith dialogue. Readers are invited to witness the meetings of faith leaders from across the globe through the eyes of acclaimed artist Nicola Green, accompanied by challenging reflections from leading scholars.

The writings translated in this volume cover the foundational and maturing periods of Victorine Christology during the 1130s to the 1150s when Hugh of St Victor championed the paradigm of the “assumed man” (homo assumptus)and Robert of Melun advanced his Christology into the most comprehensive treatment in the twelfth century.

If there is one work, in all of Saint-Saëns’ musical output that supremely captures the disposition so typical of the composer, it is Le Carnaval des animaux.