Winner of the 2018 DeLong Book History Prize, awarded by the Society for the History of Authorship, Reading and Publishing (SHARP).
Ce volume réunit, pour la première fois sur le sujet, un ensemble de contributions qui abordent les diverses problématiques liées à l’usage des modèles dans la création artistique à l’époque gothique.
The writings translated in this volume cover the foundational and maturing periods of Victorine Christology during the 1130s to the 1150s when Hugh of St Victor championed the paradigm of the “assumed man” (homo assumptus)and Robert of Melun advanced his Christology into the most comprehensive treatment in the twelfth century.