Publication issue d'un colloque réalisé en octobre 2017 par l'institut catholique de Toulouse à l’occasion du 5e centenaire de la Réforme protestante.

This new study sheds important light on the development of female authorship in the sixteenth century, through a close analysis of the female patronage and manuscript production leading up to the Renaissance in late medieval France.

This book takes the extraordinary art of the Tuscan sculptor Francesco Mochi (1580-1654) as the entry point for an inquiry into the historical and cultural forces reshaping sculpture at the beginning of the seventeenth century.