The aim of this publication is to shed light on the motivations and impact of transnational art education on artists’ careers, on the actors and educational institutions involved.

This book is the first comprehensive publication on Scottish portraiture from the period 1644 to 1714, with an emphasis on the painters David Scougall (1625-1685), and his son John Scougall (1657-1737).

Conference Papers of the 2017 International Medieval Congress (Leeds, UK)