The first comprehensive study of how polyphonic music of the Renaissance was laid out on the written or printed page, and how this influenced the ways it was read or sung.

The Arenberg lineage belongs to the high nobility, whose estates, interests and familial connections have traditionally extended across borders. Their princely and ducal standing was equally reflected in the highly superior quality of their art collection, as they commissioned works from contemporaries such as Rubens, Van Dyck, and later Watteau.

Explores a variety of perspectives on women’s participation and experiences in credit markets in early modern Europe.