35 papers present the results of the last 20 years of archaeological research about the pre-classical cultures of the Caucasus and Anatolia, and analyse the latter in the wider framework of their changing relations with those of the Ancient Near East and of the Eurasian steppes.

This issue is dedicated to the relationship between medieval art history and the regimes and totalitarian ideologies of the twentieth century, with particular attention paid to Central-Eastern Europe.

Featuring the work of five prominent scholars, this collection analyzes the paintings of Diego Velázquez within the cultural, intellectual, and political frameworks of seventeenth-century Spain.