Felipe Pereda reconstructs the history of religious art in Spain between two crucial dates in the “politics of the image” enforced by the “Reyes Católicos”: 1478 and 1501.

This volume tackles aspects of the overlooked but crucial pottery of the Byzantine and Umayyad periods stemming from Gerasa, modern Jerash, in northern Jordan.

This is the second and final part of the dal Pozzo print collection and presents the architectural, topographical and military prints.