This series investigates the relationships between music, science and technology; specifically, it aims to publish the most up-to-date research in the field of music and science in the widest possible sense, from the relationships with neuroscience to the clinical-therapeutic implications of music therapy and educational aspects in music pedagogy. Emphasis will be given to the deepening of acoustic physics, sound engineering and the relationship between mathematics and music in music theory and the compositional process. This series will also explore the influence of technological developments on the Western musical traditions from a cultural and a historical point of view. The international editorial board includes Elaine Chew (Queen Mary University of London), Ian Cross (University of Cambridge), Thomas Fiore (University of Michigan-Dearborn), Andrew King (University of Hull), Massimiliano Locanto (Università degli Studi di Salerno).